Renzo Piano †Favourite Artist Essay

Renzo soft is a famous architect re right offned for his unequ all(prenominal) at last(predicate)ed approach to pattern and his philosophy. He was born into a family of systema skeletaleers and he go on on the tradition of making things as he tack togethers it, by plan some award winning & famous twists, including the Georges Pompidou Centre in capital of France, France, the San Nicola roll in Bari, Italy, the Kansai International Airport, Osaka, Japan and the blue jean Marie Tjibaou Cultural Centre in Noumea, New Caledonia. Renzos work is highly regarded as art. Each numbering is sophisticated, well detailed and each designed with a unique approach. Renzo views on the loose(p) as a building material and this is obvious throughout in all of his projects.Born in 1937 in Genoa, Italy, Renzo studied at the University of Florence and the Milan Polytechnic. Following his outset from architecture school in 1964, he worked in his fathers construction company where he got the chance to design, under the guidance of Franco Albini. Renzo organize his bear practice in 1965 before joining Richard Rogers in 1971. It was his last collaboration with Richard Rogers on the contr everyplacesial Georges Pompidou Centre, in 1977 that initially brought him fame. In 1978 Renzo began a long period of collaboration with Irish engineer Peter Rice, which would ca-ca many fine buildings. Renzo then created the Renzo Piano Building Workshop in 1981, with studios in Genoa and Paris. He received the RIBA Gold Medal in 1989 and the reputable Pritzker Prize in 1998.InspirationsRenzo lists the Renaissance architect, Filippo Brunelleschi among his many inspirations. Brunelleschi, who is famous for inventions including heavy lifting mechanisms found on the inner working(a)s of a clock and linear perspective, was a true innovator and look intoer.In addition to his 15th century idol, Renzo pays court of justice to Jean Prouv of France with whom he formed a friendship whi le working in collaboration with Louis Kahn in Philadelphia and Z. S. Makowsky in London. Louis Kahn was regarded as a philosopher among architects, he didnt stick many projects (only 25 or so) solely he has inspired hundreds. His work infused the International Style.Two other authorized influences he acknowledges were Buckminster Fuller and Pier Luigi Nervi.FamilyRenzo was born into a family of builders. His grandfather, his father, four uncles and a brother were all contractors, and he admits, he should have been matchless too. He was s yetteen when he approached his father with the idea of going to architecture school. wherefore do you want to be just an architect? You potentiometer be a builder, was his fathers response which has never been forgotten. Renzo states that as the of import reason for naming his architecture studio the Renzo Piano Building Workshop, or else than Piano Architects & Associates. spell still studying in Milan, Renzo married a girl he had known fro m school days in Genoa, Magda Arduino. They have three children, two of which have carried on the Piano family tradition, with their son Matteo beseeming an industrial designer and their daughter Lia an architect. Renzo & Magda separated during construction of the Georges Pompidou Centre as Magda preferred to be in Genoa, but Renzo was required in Paris.Renzo met genus Emilia Rossato when she came to work for him. They were married in 1992 by Jacques Chirac, then the Mayor of Paris who supported the construction of the Georges Pompidou Centre through the many c tog outs.Renzos initial important commission was in 1969 to design the Italian Industry marquee at Expo 70 in Osaka. His late brother, Ermanno, built and installed the marquise and a number of other projects before his premature death in 1993.Georges Pompidou Centre, completed 1977.Renzo Pianos association with Richard Rogers led to many fire buildings, but it is the Georges Pompidou Centre, in Paris which brought them f ame. One of his original ideas for the Centre had been to build a giant inverted pyramid but his clear look in functionality and logic led him and Rogers to opt for the clarity of the giant rectangle of a city block.Initially, all of the functional structural elements of the building were colour-coded green pipes for plumbing, mordant ducts atomic number 18 for climate control, electrical wires argon encased in yellow, and circulation elements are red. Although in recent renovations, this colour coding has been partially removed, and many of the elements are simply painted white.During the planning and construction stages of the project the Pompidou was very contr everywheresial, with confused court cases and public protests holding up completion, but it has since become incisively what Piano and Rogers wanted it to be, a joyful urban machine. Despite frequently cosmos described as High Tech Renzo gets very churning if the Pompidou Centre is described as such. Instead he pr efers it described as a double provocation a challenge to academicism, but in addition a parody of the expert imagery of our time.The building itself created over a hundred thousand square meters in the heart of Paris, utilize to the figurative arts, music, industrial design, and literature. In the three decades since it opened, over a cc million people have visited it, averaging to a greater extent than 25,000 people per day which shows its enkindle success.San Nicola Stadium completed 1989.Renzo Piano and Peter Rice collaborated on the design of the San Nicola Stadium in Bari, Italy which was built for the World Cup, Italia 90. The stadium was built of one basic material, concrete. The shape of the stands and the beams clearly reveals the modularity of the structure. The entire ellipse of the stadium is make up of 26 petals, each assembled out of 310 crescent shaped elements, which were prefabricated on site. Each petal is supported by just four pillars. Although these support s are fairly massive, the well thought out design makes the petals appear to rise above the banked ground as if they are floating. The gaps between the petals let the lilting and colour of the landscape into the stadium. Usually, concave structures tend to induce claustrophobia however the enhancer achieved with the vertical cuts reduces this effect, and contributes to a more relaxed enjoyment of the sport.Renzo Piano Building Workshop, GenoaThe Renzo Piano Building Workshop was built in 1989 on the coast watt of Genoa. Perched on the rocks and surrounded by the sea and mountains, Renzo describes this creation as fractional rock, half ship. In fact, the place is called Punta Nave, meaning Ship Rock. Renzo believes Creating something is surd enough, but putting yourself in the right state to create something is even more difficult and says of this studio, here I find calm, silence and ingress. Overlooking the Mediterranean and surrounded by beautiful scenery, the setting provid es an enliven ambience. Renzo and his brother Ermannos firm collaborated with UNESCO to build a limit re anticipate station and whole workshop on the same site. UNESCO scientists are now growing and studying bamboo, agave and cane in the building and the touch lands.Kansai International Airport, completed 1990.Before entering the rivalry for the Kansai Airport, Renzo, wished to visit the site, as is normal procedure. In this case it involved a boat wind up which led to a moment of embarrassment, as at a original point on the open sea, one of Renzos party asked where the drome was to be, only to be told, Here. Since Osaka had no room for an airport, the local authorities unyielding to build an artificial island for it in the bay. Not a small island either, on completion it would be 15 square kilometres.Renzo describes the structure as a missing link between ground and airplane as it spreads over the island like a glider. At 1.7 kilometres long, its one of the mans largest b uildings and as the terminal caters one hundred thousand passengers per day, its also one of the busiest.A testament to Renzos quest for technological and site sensitive design considerations is that during the Kobe earthquake of 1995, there was not a single pane of broken glass at Kansai, despite being exactly the same distance from the epicentre as Kobe, which suffered severe damage.Jean Marie Tjibaou Cultural Centre in NoumeaThe Renzo Piano Building Workshop win an international competition in 1991 to design the Tjibaou Cultural Centre in Noumea, a Pacific island territory in New Caledonia. The French administration built this centre which is named after the late Jean Marie Tjibaou, to record and possess the culture of the Kanak people. Renzos concept is a genuine village still on ten structures of different sizes and functions, the largest being as tall as a nine story building. The ten structures of the centre are unionized into three villages one is devoted to exhibitions another is for administrative staff & historians the three is for creative activities such as dance, painting, sculpture and music. The buildings are, as Piano puts it, an human face of the harmonious relationship with the environment, that is typical of the local culture. They are curved structures resembling huts, built out of wooden joists and ribs they are containers of an archaic appearance, whose interiors are equipped with all the possibilities offered by modern technology.As Colin Amery (Special Advisor to the World Monuments Fund) put it, there was a real danger that a western architect could have presented a scheme that was a kitsch rendering of traditional styles, but Renzo and his colleagues were more than aware of this possible pitfall and it is a tribute to their approach that their design appears indigenous while being contemporary.Renzo won the competition because he did not arrive in the islands imposing his designs and ideas on the community. He listened to the leaf nodes requirements, traditions and ideas in determine to create a individualised design that is sensitive to the delicate and beautiful setting. Renzo states There is always the temptation to impose ones own design, ones own way of thinking or, even worse, ones own style. I believe, instead, that a light approach is needed. Light, but without abandoning the stubbornness that enables you to put advancing your own ideas whilst being permeable to the ideas of others.ConclusionRenzo Pianos architecture has been described as a rare melding of art, architecture, and engineering in a truly remarkable synthesis and he has been compared to Leonardo da Vinci and Michelangelo for his innovation. While his designs incorporate the most current technology, his roots are clearly in the classic Italian philosophy and tradition. He is also intensely have-to doe with with issues of habitability and sustainable architecture in a constantly changing beingness.Renzos designs are the result of analysis and research and are the best, practical answers to circumstantial problems. As Colin Amery said, there is a sense in all his works of a problem solved and He may try an experiment to solve the problem but he will not build anything that is not an intelligent solution.What is Architecture? This is a topic on which Renzo encourages open discussion. In his words he describes architecture as a service, in the most literal sense of the term. It is an art that produces things that serve a purpose. But it is also a socially dangerous art, because it is an imposed art. You can put down a bad book you can exclude listening to bad music but you cannot miss the ugly newspaper column block opposite your house. And architecture is an ancient profession perhaps the worlds oldest, a little like hunting, fishing, farming, exploring the seas. These are mans original activities from which all others stem. Immediately after the search for food, we find the search for shelter at a certain point, man was no thirster content with the refuges offered by nature and became an architect.In my opinion, Renzo Piano has more to offer than beautiful, purposeful buildings. I believe that his philosophies can be utilize to all design disciplines. My interpretations of Renzos beliefs are Embrace technology, but take to be the theories, practices and traditions of the past. Good design is a union of technology and art. Listen to the clients requirements rather than imposing your own ideas. Youre designs should be practical, innovative and effective. Pay attention to detail, for its the finest details that have the longest invariable effect. Dont stick to one style treat every project as a new adventure. If you dont, you risk get bored and will gradually loose inspiration. Experiment with materials and processes in order to gain an understanding of what is possible, rather than abiding by the limits imposed by what you already know, or think you know.